(i) Four stories about near future technological
advances on Earth:
a "baronovitameter" or (in another edition) a "chronovitameter," for measuring the length of a life;
solar power;
moving roads;
a dangerous nuclear power plant that will be placed in orbit.
(ii) Four stories about early Earth-Moon travel:
the financing of the first Moon landing;
the construction of Space Station One;
regularized Earth-Moon travel;
old Harriman, "the Man who sold the Moon," makes it to the Moon.
(iii) Four stories about regular life on the Moon:
the Space Patrol honors a hero;
an accident;
a lost child;
a Moon-dwelling couple return to Earth but realize that they belong on the Moon.
a "baronovitameter" or (in another edition) a "chronovitameter," for measuring the length of a life;
solar power;
moving roads;
a dangerous nuclear power plant that will be placed in orbit.
(ii) Four stories about early Earth-Moon travel:
the financing of the first Moon landing;
the construction of Space Station One;
regularized Earth-Moon travel;
old Harriman, "the Man who sold the Moon," makes it to the Moon.
(iii) Four stories about regular life on the Moon:
the Space Patrol honors a hero;
an accident;
a lost child;
a Moon-dwelling couple return to Earth but realize that they belong on the Moon.
(iv) Three stories added later about life on
the Moon:
low gravity sport and romance;
a second lost child;
lost Boy Scouts.
(v) Four stories about interplanetary travel beyond the Moon:
Rhysling and others cross the Solar System, colonizing Mars and Venus;
a spaceman who knows Martians overcomes his fear of falling;
representatives of several intelligent species meet on Earth;
colonists are enslaved on Venus but a Prophet rises on Earth...(he will establish a theocracy between stories).
(vi) One novel and two stories about an interruption to space travel:
life under the Prophets and the anti-Prophetic Revolution;
after the Revolution, anti-social individualists, surviving followers of the Prophet and advocates of a strong state are sent to the ungoverned area, Coventry, beyond the Barrier;
also after the Revolution, space travel is resumed and asteroids are moved to orbits between Earth and Mars where they are adapted as space stations for refueling and rescue.
(vii) One novel and two stories involving interstellar travel:
a crisis in the Covenant leads to an interstellar round trip;
some members of the crew of the lost first interstellar spaceship learn that their large enclosed ship is not the entire universe;
some crew members escape from the ship.
(viii) Six "stories-to-told" that were never written although their proposed content informed the background of the series:
the Antarctican revolution;
resistance movements on Mars and Venus;
the First Prophet's early days;
early resistance to Prophetic rule;
a work to be called "Da Capo" that would have been set centuries later.
low gravity sport and romance;
a second lost child;
lost Boy Scouts.
(v) Four stories about interplanetary travel beyond the Moon:
Rhysling and others cross the Solar System, colonizing Mars and Venus;
a spaceman who knows Martians overcomes his fear of falling;
representatives of several intelligent species meet on Earth;
colonists are enslaved on Venus but a Prophet rises on Earth...(he will establish a theocracy between stories).
(vi) One novel and two stories about an interruption to space travel:
life under the Prophets and the anti-Prophetic Revolution;
after the Revolution, anti-social individualists, surviving followers of the Prophet and advocates of a strong state are sent to the ungoverned area, Coventry, beyond the Barrier;
also after the Revolution, space travel is resumed and asteroids are moved to orbits between Earth and Mars where they are adapted as space stations for refueling and rescue.
(vii) One novel and two stories involving interstellar travel:
a crisis in the Covenant leads to an interstellar round trip;
some members of the crew of the lost first interstellar spaceship learn that their large enclosed ship is not the entire universe;
some crew members escape from the ship.
(viii) Six "stories-to-told" that were never written although their proposed content informed the background of the series:
the Antarctican revolution;
resistance movements on Mars and Venus;
the First Prophet's early days;
early resistance to Prophetic rule;
a work to be called "Da Capo" that would have been set centuries later.
(ix) A Time Chart listing stories,
characters, events, technologies and social backgrounds.
That is it. Any works added
later are no good. Several other works are closely related, even referring to common
characters and alien races, but they do not fit into this linear sequence.
Given that the Future History was never going to comprise the entirety of
Heinlein's science fiction (sf) output, the question becomes: did he successfully organize part of
that output into a coherent history? Yes. The integrity of the series is not
compromised by the existence of closely related works that are not fully
consistent with the History. In fact, several of his juvenile novels almost form
a divergent though parallel history. A short story about Dahlquist, the
Patrol hero, and one
about Rhysling, the Blind Singer of the Spaceways, are in the Future History. A juvenile novel that refers to
Dahlquist and another that quotes Rhysling's songs are not in the History. But
the History as a series remains substantial.
Because of Heinlein's attention to technical details, the series takes six
stories to reach the common sf starting point of regular space travel and even
then only between Earth and Moon. The
original series, collected in five volumes, comprised four groups of four
stories, then two novels each followed by two shorter pieces: (4 x 4) + (3 x 2)
= 16 + 6 = 22 items. The pre-Prophetic stories, about ordinary people in a
common future setting, do not present a political history and therefore might not seem to
comprise a future history series but they are seen to be substantial when read
or re-read individually. Politics is in the background:
there is a transport
strike and attempted revolution in the moving roads story;
Harriman describes Communism as "still a menace," though only to manipulate the media - he argues that a sovereign Lunar state established by private enterprise is preferable to a Lunar Soviet aiming nuclear warheads at Earth (the latter gives him nightmares...);
the UN cancels space flights that would pass too close to its orbiting nuclear weapons;
Dahlquist prevents a nuclear strike and military coup by fellow officers in the peace-keeping Patrol;
later, a planetary government convenes the multi-species conference - national legislatures like the British Parliament still exist but the confederation treaty recognizes the planetary government as sovereign.
Harriman describes Communism as "still a menace," though only to manipulate the media - he argues that a sovereign Lunar state established by private enterprise is preferable to a Lunar Soviet aiming nuclear warheads at Earth (the latter gives him nightmares...);
the UN cancels space flights that would pass too close to its orbiting nuclear weapons;
Dahlquist prevents a nuclear strike and military coup by fellow officers in the peace-keeping Patrol;
later, a planetary government convenes the multi-species conference - national legislatures like the British Parliament still exist but the confederation treaty recognizes the planetary government as sovereign.
Private investment opened space ("The
Man Who Sold The Moon") and imperialist exploitation developed Venus ("Logic of
Empire"). Thus, Harriman's idealism and entrepreneurship eventually led to
indentured servitude. Heinlein's Future History Time Chart says that Antarctican,
American and Venerian revolutions ended interplanetary imperialism. The stories
show only some of the details. Free men organize on Venus. Later, the US is a
theocracy. Later again, that theocracy which, according to the Time Chart, began
with a US "revolution," is overthrown by the more appropriately named Second
American Revolution.
The Prophets' followers, the "Angels of the Lord," must be derived
from Christianity although this is not confirmed. Terminologically, they combine
Christianity with Islam -
Christianity: God Incarnate;
Islam: the Prophet;
Angels: the Prophet Incarnate.
Islam: the Prophet;
Angels: the Prophet Incarnate.
Like some Muslims, the Angels reject Church-State
separation. Medieval Christendom had a Pope and an Emperor (in England, a King
and an Archbishop), and conflict between
them, whereas, after the election of President Scudder, the United States
has only a reigning Prophet. Heinlein's other nasty Christian derivative is the Fosterite Church of the New Revelation in Stranger in a Strange Land.
Both Angels and Fosterites claim direct contact with Heaven. Archangels tell the
Fosterite Supreme Bishop exactly when a couple who have left their property to
the Church will go to Heaven and the Church organizes a farewell party... None
dare call it murder. The
First Prophet is said to return in the flesh annually at the Miracle of the
Incarnation. Heinlein knew that modern communications technology could be used
to broadcast nonsense. We, the readers, meet neither the hedonist Foster nor the
ascetic Scudder in person - but we know that Scudder's successors do not adhere
to his asceticism. The revolutionary Cabal cannot take the deposed Prophet alive
because his Virgins get to him first.
Some stories are stepping stones to
later works. Escape velocity rocket fuel is developed at the end of the fourth
story, "Blow-ups Happen," about nuclear power. Harriman puts a man on the Moon
in the fifth story, "The Man Who Sold The Moon." A space station,
necessary for regular flight between Earth and Moon, is constructed in the sixth
story, "Delilah and the Space-Rigger." The seventeenth story, "The
Green Hills of Earth," about Rhysling, the Blind Singer of the Spaceways,
bridges
the gap between passages referring only to Luna City and those also referring to
colonies on Mars and Venus. Rhysling, blinded by radiation while exploring the
asteroids, had regularly flown between Earth and the Moon before joining the
first deep space trip, to Mars. He later visited Venusburg and wrote
songs that are sung, in the eighteenth story, "Logic of Empire," by indentured
men who relax in Venusburg. That story ends with a reference to the
political preacher, Nehemiah Scudder, and the next work, "If This Goes On -,"
begins with its narrator guarding the apartments of the Prophet Incarnate.
Technological, economic and social changes have at last generated a religious/political
upheaval. Questions about government have moved from the background to the
foreground of the series.
"If This Goes On -" refers back to a
World War III, an important event not mentioned in the Time Chart, but also
refers to the Federation, the UN-derived planetary government dating from the
first interplanetary period which prevents wars by monopolizing nuclear weapons.
When the Angels are overthrown, Heinlein conveys revolutionary
turmoil: argument in the constitutional convention; the Onward Christian
Soldiers' resentment of the timing of the Cabal's insurrection. The Prophets had
seceded from the Federation. The latter does not immediately recognize the new
regime and will not authorize nuclear weapons to end a civil war.
Thus, in a few background-establishing sentences, Heinlein contextualizes the
Second American Revolution. The UN had established the Patrol and become the
Federation which will oppress the Families (see below) but will, according to the Time
Chart, be succeeded by a mature culture.
After the madness of the Prophets, a sane society
is built but its peace is threatened
by mass envy of the Howard Families' longevity. Obliged to lead his persecuted
fellow Howards out of the Solar System, Lazarus Long unintentionally provides
a further
fulfillment for Harriman's dream of space travel. When, after difficult
experiences in two inhabited systems, the Howards discuss whether to return to
the Solar System, Lazarus has Rhysling's song, "The Green Hills of Earth,"
played over the PA.
The Future History could be packaged in
five sections not exactly corresponding to the original five volumes.
Earth: six stories set on Earth or in
Earth orbit ("The Man Who Sold the Moon" is set entirely on Earth although the
first Moon landing, in 1978, occurs off-stage).
Moon: six stories in the original History plus two more added in The Past Thru Tomorrow plus one more added in Expanded Universe.
Interplanetary: four stories plus possibly "Tenderfoot in Space," which I have not read, if it is set on the same version of Venus.
Interregnum: the Prophets, revolution and after.
Interstellar: the rest.
Moon: six stories in the original History plus two more added in The Past Thru Tomorrow plus one more added in Expanded Universe.
Interplanetary: four stories plus possibly "Tenderfoot in Space," which I have not read, if it is set on the same version of Venus.
Interregnum: the Prophets, revolution and after.
Interstellar: the rest.
Appropriate volume
titles for such a repackaging would be:
The Man Who Sold The Moon;
The Black Pits of Luna;
The Green Hills of Earth;
Revolt in 2100;
Orphans of the Sky.
The Black Pits of Luna;
The Green Hills of Earth;
Revolt in 2100;
Orphans of the Sky.
This involves swapping two stories between collections, then splitting
one volume and amalgamating two of the original five. The Moon story, "The Black
Pits of Luna," is, as far as titles go, a companion piece to "The Green Hills of
Earth." Rhysling's song refers to "...harsh bright soil of Luna..." The song as a
whole refers not to a life spent on Earth but to spacemen's nostalgia for
"...the globe that gave us birth...," as they travel beyond the Moon
and further into the
Solar System.
Revolt in 2100 remains unchanged
in the proposed repackaging. The original Orphans of the Sky
collected the two stories set in an interstellar spaceship whose crew are
"orphans" because they are lost, having forgotten even where they came from.
However, the title characters of Methuselah's Children, the Howards, become "orphans"
when they flee from the Solar System. Therefore, Orphans... would be an
appropriate title for a collection of all three works that would be a
culmination of the History.
Pivotal characters in the series as a whole are:
Harriman who sold the Moon;
Dahlquist who defended freedom;
Rhysling, the "Blind Singer" who was on the first trip to Mars;
Scudder who destroyed freedom for three generations;
Novak of the Covenant;
Long who freed the Howards.
Dahlquist who defended freedom;
Rhysling, the "Blind Singer" who was on the first trip to Mars;
Scudder who destroyed freedom for three generations;
Novak of the Covenant;
Long who freed the Howards.
It is difficult to finalize this text because a wealth of details deserves
to be mentioned. Heinlein's Preface said that this fictional history was at
least as real to him as Plymouth Rock. This is true for many of his readers.
The early part of a future history can
set the scene for later action:
Wells analyzed then current world
affairs before moving into the future (he had described a first Moon landing in
a separate work);
Niven's Known Space series begins with four stories of interplanetary exploration;
Anderson's Technic History begins with one story of interplanetary exploration and one of interstellar exploration;
Blish's Cities in Flight begins with regular interplanetary travel, then describes the two discoveries that make interstellar travel possible.
Niven's Known Space series begins with four stories of interplanetary exploration;
Anderson's Technic History begins with one story of interplanetary exploration and one of interstellar exploration;
Blish's Cities in Flight begins with regular interplanetary travel, then describes the two discoveries that make interstellar travel possible.
All sf writers are
indebted to Wells. Blish, Anderson, Niven and others are also indebted to
Heinlein, particularly for his Future History.
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