"Forms of Things Unknown" by CS Lewis
reads like "hard sf" (scientifically and technologically accurate science
fiction) until the last sentence. However, Lewis has prepared the reader for
this ultimate intrusion of fantasy. The story is prefaced by a quotation from
Lewis' novel, Perelandra:
"...that what was myth in one world
might always be fact in some other." (1)
Before Jenkin sets off for the Moon, his friend derides the
idea of animated lunar stones as "...mere science fiction or mythology." (2)
Thus, sf and myth are bracketed together. Jenkin replies:
"Going to the Moon at all was once science fiction. And as
for mythology, haven't they found the Cretan labyrinth?" (2)
Thus, the reader is prepared for the idea that, if the
labyrinth existed, then perhaps mythological beings did as well. Also relevant
is Jenkin's remark that, after a disappointing relationship with a young woman,
he doesn't feel anything about her or indeed about women. In fact, he is: "A bit
petrified." (3) There was a female mythological being who literally petrified
anyone who saw her.
The petrification theme continues when Jenkin, en route
to the Moon, realizes one of his motives for volunteering. Because the affair
had indeed frozen or petrified him, he now:
"...wanted to feel again, to be flesh, not stone." (4)
He will get the opposite of this wish.
There is a less explicit echo of Perelandra. A
conscious reason why Jenkin had volunteered was a wish to be "...'outside,' in
the sky...," in space, where, if anything, there might be a danger of
agoraphobia. (4) Instead, he is claustrophobically enclosed in "...a little
metal container...very like a coffin." (4) In Perelandra, Ransom had been
angelically transported to Venus in a transparent white coffin but there the
symbolism was of death to one world leading to new life in another whereas
Jenkin's situation suggests merely death.
Lewis' unfamiliarity with technology is shown by his use of
the word "...gimmicks.." for the instruments that Jenkin must use. (5) On the
Moon, he finds statues of the men who had preceded him there, had started to
transmit to Earth, then stopped. The statues show them in their spacesuits,
looking over their shoulders. Believing that he has encountered lunar art,
Jenkin, happy, no longer petrified, starts to transmit, sees the shadow of a
human head with thick writhing hairs approaching from behind him and remembers
that there is no wind on the Moon as he turns...
"His eyes met hers." (6)
(1) CS Lewis, "Forms of Things Unknown" IN Lewis, The
Dark Tower and other stories, London, 1983, pp. 124-132 AT p. 124.
(2) ibid., p. 127.
(3) ibid., p. 125.
(4) ibid., p. 128.
(5) ibid., pp. 128, 131.
(6) ibid., p. 132.
(2) ibid., p. 127.
(3) ibid., p. 125.
(4) ibid., p. 128.
(5) ibid., pp. 128, 131.
(6) ibid., p. 132.
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